Archive for October, 2006
Asta Tinggi merupakan kompleks makam para raja Sumenep, keturunan dan kerabatnya. Dibangun sekitar tahun 1750. Kompleks ini terdiri dari tiga bagian yang masing-masing mempunyai gerbang tersendiri.
Bagian pertama di sisi kiri terdiri dari kubah Bindoro Saud, kubah Pangeran Jimad dan kubah P. Pulang Jiwo. Bagian ini berisi makam yang lebih tua, sehingga kita disyaratkan untuk memasuki kompleks ini terlebih dahulu. Bagian kedua berada di tengah dan mempunyai bentuk yang paling indah.
Di sini terdapat dua kubah makam yaitu kubah Sri Sultan A. Rahman & kubah Panembahan Sumolo. Sedangkan bagian ketiga merupakan bagian terlarang, dalam artian kita tidak diperkenankan memasukinya.
Selain di dalam kubah, makam juga tersebar di seantero kompleks dengan usia yang beragam, bahkan ada yang berusia cukup muda (tahun 90an). Makam yang ada di dalam kubah sebagian ditutupi kain dan kelambu. Menurut juru kunci kelambu tersebut diberikan oleh orang-orang yang hajatnya telah terkabul selepas berdoa di makam ini.
Untuk memasuki makam, kita harus melapor dulu ke juru kunci dengan memberikan sumbangan seikhlasnya. Sebelum memasuki gerbang makam kita harus melepas alas kaki dan berjalan di jalan berlantai yang sudah disediakan.
Keraton Sumenep atau biasa disebut keraton Panembahan Sumolo didirikan tahun 1762. mempunyai tiga bangunan utama berupa bangunan induk kraton, Taman sare dan Labang Mesem. Selain itu di depan kraton juga terdapat museum disamping musium yang ada di samping kiri bangunan induk keraton. Pada bangunan induk keraton kiyta jumpai aula pertemuan dengan kursi-kursi merah berukir, koridor dan tempat kediaman raja. Uniknya di tempat ini banyak sekali lampu gantung dan lampu dinding. sayang kita tidak diperkenankan memasuki kediaman raja. Hanya boleh mengintip dari jendela kaca yang pecah (atau sengaja dipecah kali).
source : http://simasa.multiply.com
October 5th, 2006
The day after the Chinese New Year, 45-year-old Sukar Mudjiono, a puppeteer in potehi, a kind of Chinese puppet show in Surabaya, was seated in a relaxed manner on the veranda of Hong Tiek Hian Chinese temple, Jl. Dukuh Surabaya.
On that particular day he was not preparing for a potehi show. There is no specific schedule for potehi shows every Chinese New Year or Muslim Lebaran Day.
“A local television station in Surabaya has just interviewed me. I’m now waiting for another to interview. Every Lunar New Year, many journalists come to ask me about potehi,” he told The Jakarta Post.
While waiting for another TV interview, Sukar spoke with several print media reporters and photo journalists.
He looked fatigued, carefully answering every question he was asked. Several weeks prior to Chinese New
Year, he gave a potehi performance at a place where Confucian religious services were held in Surakarta, Central Java.
Sukar often has a tight schedule for his shows, staged in several cities in Indonesia, particularly as Chinese New Year approaches. His fee for each show is set at around Rp 100,000, much more than he earned before former president Abdurrahman “Gus Dur” Wahid stipulated that Chinese New Year would become a national holiday.
Before Gus Dur became president, ethnic Chinese arts activities were very limited. A license had to be sought from the local security authorities before a lion dance or potehi could be performed. Such performances took place only at venues set aside for religious services.
However, things changed after president Soeharto was deposed down in 1998. Licenses were no longer required for ethnic Chinese arts performances in public.
In mid-2002, potehi appeared on TV in the 26-episode series Sie Jin Kui, a story set in the Tang dynasty in China during the reign of Emperor Thai Cong (627 -649 AD) about the sacrifices that General Sie made for the country. That was the first time potehi was introduced to the public. Sukar, as the potehi puppeteer in the show, gained greater popularity in Surabaya.
“When there were still restrictions on potehi shows, I earned less than Rp 1 million a month. Today I can make about Rp 3 million a month,” Sukar said.
On the sidelines of his talk with the journalists, Sukar exchanged greetings with visitors to the temple. He knew all of them personally. He has been around the temple for decades, so he knows all the regulars.
“I’m an indigenous Indonesian and Muslim, but this temple seems to be part and parcel of my life. I started my life here. I learned to perform potehi here and now I can feed my family from this skill,” he said.
He then recalled what happened to him about thirty years earlier when he was still a teenager. One day he was playing around with his peers at the temple, which is about only three kilometers from his home, when he had a chance meeting with a Chinese Buddhist monk, Gan Coco. The monk was performing potehi at the temple. He would spend several months performing different potehi stories there.
Sukar became acquainted with the monk, subsequently becoming interested in potehi and learning how to perform it. The monk translated into Indonesian several famous stories often performed in potehi shows.
“I regularly took notes of these translations. These stories are hard to find in bookshops: Even if they’re available, they’re in Chinese,” he said.
Gan Coco also left him several sets of potehi puppets. Before he returned to China, he asked him to preserve the art form in Indonesia. The potehi puppets from Gan Coco are still in good condition. Some have had to be repaired, however, because of their age.
When the TV reporter showed up, Sukar changed clothes and got the potehi puppets ready. Before he started, he performed a special rite in which he burned kim cua paper, items usually burned during Chinese ancestral rites, on the potehi puppets.
Several minutes later, the sound of a beaten tualo marked the start of the performance. While working the potehi puppets, Sukar narrated a story in Chinese. Although his narration was in fluent Chinese, Sukar said there were still some Chinese words he did not understand.
“I often get criticized because my pronunciation is incorrect. Still, I love potehi and will continue to perform it because it’s my livelihood,” he said
source : http://www.planetmole.org
October 5th, 2006
The oldest history described Surabaya as a village by the river that functioned as a crossing land. Since the 14Th century many people from various backgrounds of ethnics had treaded with the local villagers. The village was soon became a harbor city. People of the Chinese background first set foot in Surabaya during Sriwijaya Kingdom. They had occupied eastern part of Kalimas. They inhabited in an area known as Jalan Kembang Jepun, and also known as Chinatown.
The rapid growth of Surabaya has changed the role of it. Kembang Jepun once as the city icon gradually losing its identity. Actually Surabaya needs another icon, that should be created from its glorious past. It takes time to have such a new icon. A revival should be made and engineered at the same location. A kind of resurrection should be generated from the fame of Kembang Jepun.
If big cities in the world always have particular spot where many visitors are looking forward to just walk around it, Surabaya does not have to try hard to find the spot. Most cities have Chinatown however Surabaya, as the history told has already had it since a long time ago, Kembang Jepun.
The initial idea to give new life to the Kembang Jepun area during the night hours came from the City Government of Surabaya. But since the government was fail to make the plan happened and nor being able to create the most conducive situation for the vendors, Kembang Jepun was left alone.
The program for revitalization finally comes from the private sector. Their motivation is merely because of their concern for their city and social awareness. The effort of revitalizing Kembang Jepun is an interesting synergy between the city government and its citizen. And it is a good start to revitalize in the old Kembang Jepun area with evening meals.
October 5th, 2006
Is gate place of religious service for Hindu believer. For Hindu believer who live in Surabaya and or pendatang which wish to do praying can execute in this Pura Jagad Karana. The place which far from bustle of town would increasingly add is solemn is Hindu believer in implementing religious service.
Gate Jagad Karana reside in road(street Gresik-Surabaya. crowded Jagad Karana Gate visited by Hindu believer generally at day sabtu night, Galungan, Kuningan, Nyepi, Saraswati and others. Form Of this Jagad Karana Gate encircled by fortress that is enough is height. And Gate Jagad Karana is built to terrain where vinicity soil;land;ground dipaving have as place of Hindu believer religious service.
That seems to be asri through the street admission in cultivating with a few ornamental plant. Situation of Gate Jagad Karana would more felt in Bali at the time of great days is Hindu believer.
October 3rd, 2006
As object wisata education is having nuance maritime, Academy TNI ANGKATAN LAUT located in Pantai Utara Surabaya and stand up above farm with a width ± 52 hectares that is ordinary we call with Kawah Biru Bumimoro.
Here place of penggodokkan from the best young mens is this nation choosing TNI Angkatan Laut as place of their devotion to nusa and its nation to be educated and galvanized to to become Perwira TNI Angkatan Laut which taft. Besides areal komplek AAL with all education supporter facilities and practice being owned, also can be witnessed various activities of good Kadet related to routine activity on duty which individuality TNI Angkatan Laut, and also activitys of other Kadet having the character of extra curricular.
Luxury gateway writing down Akademi Angkatan Laut and Hree Dharma Shanty which in general mean ” ashamed done to inveigh” will greet presence of the tourists since so admission AAL.
Garden Mordofa with the bird garden which asri to be enjoyed and there is also yoke basrelief at stone and Tank PT 76 being ditengkapi with Canon katiber 76 mm weighing ± 15 tons, is is vehicle combat cuirass amphibian Korps I Marinir.
Cadet Statue being immortalized to become monument Hree Dharma Shanty, with position of straight opinion?sight forwards express soul a kesatria braveman, never give up and self confidence that the coast is clear which cannot be pierced by a Kadet Laut.
At elbow monument, precisely rear earn we to witness Monumen Karyono-Risdiyanto being built in honour of 2 Kadet AAL Korps Marinir which fall when executing practice being realized a vehicle of amphibian panther cuirass type BTR-60 approximately total weighing 14 tons.
Hereinafter the tourists can witness facility Audio Visual Multy Purpose ( AVMP), here we can witness film Sekilas about AAL, Sekilas Kehidupan Kadet AAL and activity film of Kadet when executing Kartika Jata Krida.
Then in Gedung Komplek Ki Hajar Dewantara, is place of learning or class room of the Kadet, where every his space equiped with OHP and AC. In teaching aid building Sapudi, there is equipment of instruction for Kadet corps Pelaut, Teknik, Electronics, Administration and Marinir.
In Building Bawean, there is laboratorys and Simulasi Anjungan Kapal ( Moro Bridge Simulator) is place of exercising to all Kadet and also Perwira Siswa Korps Pelaut before they execute practice practice of in ship.
Still many again objects wisata which is interesting there is in AAL between of Planetarium and Museum AAL which can inspire spirit [of] and add knowledge of the the rising generations about maritime world. Planetarium in Indonesia there’s only two, one in Taman lsmail Marzuki Jakarta and one in AAL Surabaya.
source : www.surabaya.go.id
October 3rd, 2006
Raden Achmad Rachmatulloh is a public wise and pious figure and authoritative and more and more getting sympathy from the age public which youth still 20 years. And at the time of arrival of he(she to the ground jawa, he is given by trust by Raja Majapahit place of berda’wah and as the new residence that is Ampel Dento ( Surabaya).
As media berda’wah Raden Achmad invite the his followers to build a mosque in the year 1421 M. This mosque in similar with ancient jawa architecture style and nuance arab islami a real sticked. Raden Rachmad which is more knowledgeable as Sunan Ampel pass away in Ampel in the year 1481. Which in burying disebelah right front of mosque Ampel. samapai to the year 1905 Mosques Sunan Ampel which is is the biggest mosque second in Surabaya.
Then by member of Ampel Masjid and mausoleum Sunan Ampel is built in such a manner that orangyang wish to do sholat in mosque and having pilgrimage can feel is balmy and peace. This thing seems to explain with built by it five Gapuro ( Gateway) is symbol from Rukun Islam.
From southward precisely in walking Sasak there is Gapuro so called Gapuro Munggah, where you will enjoy countrified situation looking like market Seng in Masjidil Haram Makkah. Depict that a moslem is obliged to go up haji if solvent.
After passing countrified alley becoming shop area providing all requirement to start moslem cloth, perfume, date and various assesoris man who have have ever done religious service haji available complete in market Gubah ( Ampel Suci). Then You will see a Gapuro Poso ( Fasted) which located in south Masjid Sunan Ampel. this Gapuro Poso Area give situation in fasting Ramadhan. Depict that a moslem is obliged to fast.
After passing Gapuro Poso, you ride up Masjid. From this halam would seems to awaking up Masjid Induk which is luxury with the tower boosting height being built by Sunan Ampel. Hitherto still intact either tower and also stanchion it.
After You do sholat in Masjid Sunan Ampel, hence you can continuing return trip and you would meet Gapuro Ngamal. Here people earn bershodaqoh as according to ability and candidness. Which shodaqoh also applied for conservation and hygiene of area Masjid and Makam. Depict Foundation of Islam about mandatory is religious obligatory.
Then non far then you will pass Gapuro Madep its situation right accross westside Masjid Induk. right Disebelah there is mausoleum Mbah Shanhaji determining direction of direction Masjid Agung Sunan Ampel. Describe as execution of sholat face direction.
And then you will see Gapuro Paneksen to step into mausoleum. This describe as creed ” Testify no God besides God and Nabi Muhammad of God”.
After passing to five Gapuro ( spandrel) the hence from can be taken conclusion that Gapuro to depict Rukun Islam which the numbers five. Creed ( Gapuro Peneksen) testify no God besides God.
Sholat ( Gapuro Madep) execute sholat to face direction.
Religious obligatory ( Gapuro Ngamal) give or obtain cash for Zakat/ Shodaqoh for capable.
Fasted ( Gapuro Poso) situation of fasting sperti in holy Ramadhan.
Haji ( Gapuro Munggah) see its name and language is and situation in Gapuro Munggah. Munggah Haji ( Rising Haji).
this Sunan Ampel Grand Mosque located in street KH. Mas Mansyur Surabaya Utara.
October 3rd, 2006
Over the last ten years, Surabaya has grown to become a major industrial and commercial centre which is beginning to challenge Jakarta’s position as Indonesia’s business capital. This rapid development should come as no surprise, however. Prior to World War II, the East Java capital was the archipelago’s main centre of commercial and industrial activity, a position it seems determined to regain. East Java itself was the focus of Javanese civilization for several centuries after the eruption of Mount Merapi destroyed the Mataram Empire; and it was here that the Hindu court culture reached its apotheosis in the Majapahit Empire, which held sway over most of the Indonesian archipelago for over a century.
Surabaya’s current impressive performance has been fuelled in large part by the phenomenal success of East Java’s economic development, increased investor awareness and the large-scale expansion of infra-structure. The province, with a population of around 33 million, is home to a diverse range of human resources. Boasting low costs, a modern sea-part and airport, and a local enterprise culture keen to expand business, Surabaya has been successful in increasingly congested Jakarta. The province offers hotel and conference facilities representing some of the highest standards in the country, consequently becoming regarded as the “Gateway to the East” among much of the business community.
There are plenty of excursions available to make East Java a worthy destination for any visitor. Other worldly volcanic craters, deserted beaches, remote wildlife reserves, well-preserved temple complexes and friendly, colorful and diverse people make East Java a prime “soft adventure” destination. As a convention centre, East Java in general and Surabaya specifically offer everything the MICE (Meeting Incentive Convention-Congress-Conference and Exhibition) industry needs, from world class facilities to exquisite recreational attractions.
The Sights and Sounds of Surabaya
Surabaya is a busy city, filled with busy people. The streets are lined with shops, the roads hum with traffic and throngs of pedestrians crowd the sidewalk. However, until the turn of this century, Surabaya’s role as a commercial centre was overshadowed by Jepara, Kudus and Semarang, and in 1900 it had a mere 100,000 inhabitants. The explosive pace that has marked its development began in 1910, when the construction of a new harbour began at Tanjung Perak. With the larger steam ships dominating the trade routes, older ports without deepwater facilities slipped into irrelevance, and the rapid expansion of trade and commerce in Surabaya resulted in a boom that quadrupled the population within 30 years.
History is a living force here and the old trading quarters of the Dutch are fully functional even if occupied by new tenants. Buginese and Makassarese sailing boats share the harbour with freighters whose size defies the imagination. Mosques and temples that have been used for 500 years continue to receive pilgrims. In other cities, the old and the new stand in stark contrast; in Surabaya, they represent a continuum. The people of Surabaya have been working hard and playing hard for centuries, and visitors are welcome to join them.
How to get there
By Plane
The average visitor to Surabaya is likely to arrive at the airport. Situated 30 minutes from the city’s centre, Juanda Airport has international airport status, and visitors from most countries are eligible for a two-month, visa-free entrance at this point. Surabaya now handles direct flights to and from Singapore, Australia, Taiwan and Hong Kong. It is aslo a major hub for domestic air traffic with flights leaving daily for Jakarta, Bali, Semarang, Yogya and many other points.
By Train
A high-speed rail service connects Surabaya to Semarang, Yogya, Solo and Jakarta, and is an excellent way to travel . Unlike the airports, the train stations in all these places are conveniently located in or near the centre of town. The premium-grade Argo service allows the traveller to appreciate the beauty of the Javanese countryside in air-conditioned comfort. Besides using the most modern and up-to date engines available, these trains have priority at junctions and are very rarely delayed. They leave from Pasar Turi Station in Central Surabaya and arrive at Gambir in Jakarta nine hours later.
By Car
A major highway connects Surabaya to Jakarta, to Banyuwangi in the east and Malang in the south. Priority has been given to the development of freeways connecting Surabaya to the outlying towns of Gresik along the coast, and Mojokerto, on the road to Jakarta.
source :www.bali-paradise.com
October 3rd, 2006
Traditional port Kalimas now in using as place of unloading goods - ocean going vessel ship goods with lighter - lighter and boat boat.
Surabaya is a town which during hundreds of year colonized by Dutch hence by it self form of building many influenced by Europe style. In Dutch country x’self many having canal. Cause many having channel, of course there here many built by bridge. Start from ordinary bridge, finite drawbridge ophaalburg or drawbridge. Surabaya also much the same although canals in Surabaya is not counted in Dutch. Formerly, king sized trade ships only can apply in just Madura strait but rather to come near water territory Surabaya. Then, to unload or load his cargo goods is applied by lighters or schooner ships. After ships of small that load goods is middle by sea, nimbly of the ships trace Kalimas so reaching main port by then is port Kota Surabaya. And the is location is town heart. By The Name Of Heeresentraat now (stay around by road Rajawali and Kembang Jepun) central is is loading and unloading business. It is between both the road there are bridge unfolding to Kalimas. And bridge that is so-called Roode Brug or Jembatan Merah. The scorpion Pelabuhan Tanjung Perak have not is exist, whereas port of its sea reside in estuary Kalimas.
Area along the length of Kalimas divided to to become 2 parts, that is Westerkade Kalimas ( westside Kalimas) and Osterkade Kalimas ( eastside Kalimas) or is usualy called as member of Surabaya area kulon times and wetan times. Area wetan is times is commerce area, start from Kembang Jepun, Cantikan, Kapasan, finite toward street North KH. Mansyur ( Pegirian, Nyamplungan and others). Which is including area kulon times for example road(street Gresik, Kalisosok and around by Tanjung Perak Barat. It is along the length of river Kalimas the year 1925, many standing is factories industrial sector in town Surabaya. Essentially cultural pledge in fact not an icon a town. Moreover is valuable artifact is height. If we traced town Surabaya is encircled river connecting rill and big. During now realized as place of wisata that need to be preserveed and developed, in memory of river Kalimas as place of commerce and water port, place of mangkal of small boats along the length of river Kalimas and participation of member in keep cleaning along the length of river Kalimas being supported by the Government of Town Surabaya by performing a various activities between of decorative boat.
October 2nd, 2006
It Is Down Town by Surabaya, precisely in Taman Apsari, that is in walking Joko Dolog, there are some is ancient ommissions is ancestors culture heritage. One of ommission of is arca Budha Mahasobya which is more knowledgeable by the name of JOKO DOLOG. At his lining there is is inscription is rhyme, use ancient Java letter, and having language Sansekreta. In the inscription is mentioned place which so called Wurare, so that his inscription called as by the name of prasasti Wurare.
this Arca Budha Mahasobya come from Kandang Gajak. By 1817 carried over by Surabaya by Residen de Salis. Cage area Gajak formerly is region Kedoeng Wulan, that is area under power Majapahit. During colonization of Dutch included in Karesidenan Surabaya, while a period of now is including countryside region Bejijong, Kecamatan Trowulan, Sub-Province Mojokerto – East Java.
Arca Budha Mahasobya, famous by the name of this Joko Dolog, now there are many visited people who to request benediction. But if seeing lining him, called as prasati Wurare, very attractive because loading some data history of in tooing.
Inscription number show 1211 Saka and written by a serving king Kertajaya so called Nada. Inscription which is in the form of rhyme 19 good is contents of in essence can be detailed to to become 5 things, that is :
At one time there is a priest which benama Arrya Bharad undertake dividing Java to become 2 parts, which then each called Jenggala and Panjalu. This power division is done by there are coup between Crown.
During goverment of king Jayacriwisnuwardhana and princess him, Crijayawarddhani, both the areas is reunited.
ordination of King ( what command make inscription) as Jina with title Cri Jnanjaciwabajra. Materialization as Jina Mahasobya is build in Wurare by 1211 Saka.
King in a short time successfully return to unite area which have broken, so that life become secure and prosperous.
Reeling the inscription maker which so called Nada, as serving king.
Some the data jka is allied with other history data like book Negarakretagama, Pararaton, and other inscriptions, will yield history framework which gambling. Before all we revise five figures being mentioned in inscription of Wurare. Fifth is figure is Arrya Bharad, Jayacriwisnuwarddhana so-called also by the name of Crihariwarddhana, Crijayawarddhani, King ( what govern make inscription), and Nada ( as inscription maker executor).
Whose actually governing king make this prasati ? His reply none other than king Kertanegara, that is last Singosari king. In inscription it is mentioned that s(he is child of king Crijayawisnuwarddhana with Crijayawarddhani. Name Of Crijayawisnuwarddhana now more knowledgeable by the name of Wisnuwarddhana or Ranggawuni which Arrya Bharad, this name is recognized by during goverment of king Airlangga. While Name is clear mentioned that he is serving king. Hereinafter from this knowable inscription is important history data as follows :
At empire era Medang, that is a period of goverment end of king Airlangga, precisely 963 Saka, happened division of empire to become two. This thing is package done to avoid coup between 2 Crowns. Monarchic division done by a a real famous priest the miracle, so called Arrya Bharad. Its way wett and membelah earth with gleaming jar water, Both this empires limited by mount Kawi and river Brantas, and each called as empire of Jenggala and Panjalu. Empire of Jenggala cover area Malang and river delta Brantas, with port Surabaya, Rembang, and Pasuruan. His capital of is Kahuripan, that is ex- capital of empire Airlangga. While empire Panjalu, which is then recognized by the name of Kediri, cover area Kediri and Madiun. Capital of of Daha, possible is area Kediri now.
At empire era Singosari, precisely during goverment of king Wisnuwarddhana, empire of Panjalu and Jenggala try reunited under empire power of Singosari. Business being done by king Wisnuwarddhana to firm up the by the way of marrying the chlid which so called Turukbali with Jayakatwang which meupakan descendant of last Kediri king that is king Kertajaya. Jayakatwang feeling that he is validity heir to throne Kediri so that he try to retake power him.
Act of the is the always try to grab power that is which wish to be prevented king Wisnuwarddhana by way of performing a marriage of the politics. The business then continued by the descendant which so called king Kertanegara marrying the chlid with child of Jayakatwang which so called Arddhara.
Reality remain to prove that good business not always fluent. Jayakatwang still try to grab power. Kertanegara is considered to be by man which have no business to empire throne. Way being gone through by Kertanegara to indicate that he is valid Crown that is by mentioning Crijayawisnuwarddhana and Crijayawarddhani as a his stripper in inscription of Wurare. It is side by that, it is mentioned that Kertanegara is clever king in dharma and art, and as priest from fourth is island. He confirmed as Jina Mahasobya with title Crijnanaciwabajra.
intention of Inauguration of as Jina is to show power and x’self highness. Mahasobya is highest Aksobhya deity. The Naming Of Kertanegara as Mahasobhya mean he to have the character in x’self Dewa Aksobhya and emanation him, be having is peace, in command, and the power which no contesting it. Be performing it as Cri Jnannaciwabajra can mean that he is man who is having experience or experienced like Dewa Siwa, and can annihilate badness for prosperity of all people.
Besides, Kertnegara titles also have reasoning of politics. King Kertanegara wish to compete with king Kubilai Khan being confirmed as Jina Mahamitabha. This emulation arising from king Kubilai Khan to wish is in command all Asia Tengara. But king Kertanegara do not want to bow off hand. By 1211 Saka, courier from king Kubilai Khan so called Meng-Ch’I, what ask power confession of Kubilai Khan, refused and ordered by return to Mongol by king Kertanegara. It all is done to just with create of inscription Wurare is expressing power and highness of king Kertanegara as Jina Mahasobhya. Mahasobhya is Jina mastering wind eye eastside, while Mahamitabha master wind eye westside. Thereby if Khan master region part of west while Kertanegara master region part of east.
From all the descriptions is knowable that arca is Joko Dolog is materialization of king Kertanegara x’self. While inscription being chiseled encircle his lining to contain value history of important politics. Especially as evidence that our nation since era dahulupun do not want to off hand yield to foreign colonist. Also try to keep in unity to uphold strength.
October 2nd, 2006
Supporting facilities for entertainment amusement of modern recreation, sophisticated and complete provided by the side of amusement centre organizer Warwick Amusement Group Indonesia. One of between it is Taman adolescent Surabaya being represented by PTStar. Adolescent Garden Surabaya reside in street Kusuma Bangsa, with area with a width of 16910 m2.
With the age which more than 30 years, Adolescent Garden Surabaya increasingly professional in handling performance from every available facility and game arena. This thing is for the shake of increasing security and safety and comfort to all visitor which wish to enjoy entertainment amusement and recreation in Taman Remaja Surabaya.
In area that is enough is the wide Taman Remaja Surabaya provide some facilities that is :
16 jackstrawses and attraction adult of machine Fun Fair ( Boom Boom Car, Ghost House, Shooting Galery, Merry Go Round, Twin Dragon, Twist Aldin, Mini Train, Ball Pool etcetera).
13 game arenas of Game Booth ( Game Booth I and Game Booth II) akn test agility and of skilled you to win is multifarious is a real interesting present type.
2 Entertainment amusement Podiums ( Main Podium and Panggung Garuda) where you can enjoy music performance. besama local artist and jakarta in so many poor concert stream, dangdut, rock etcetera. And something draw in this entertainment amusement podium, yatu existence of ability short exchange place of the waria in dresseding up, singing and berlenggak-lenggok in event of waria show.
4 cafe and restaurant ( Melody Cafetaria, Rainbow Cafetaria, Adolescent Ice Cream dsb) where presented to be multifarious is good food menu Indonesian Food, Chinese and Westrn Food. And available also multifarious beverage soft drink, ice cream, fruit juice. With situation cafe and restaurant which spread over equaly causing give amenity for which wish to rest and menikati sajian food and beverage.
Available also public facilities gerai photography, cinderamata, small mosque, medical help space, call box, area parked, toilet and information office. Adolescent Garden Surabaya give a talk on something a real interesting, cheap, hilarious and gratify to all visitor it.
Adolescent Garden Surabaya open at day,
senin - jum’at : 1700 - 2230 bbwi
sabtu : 1700 - 2300 bbwi
week morning : 0900 - 1300 bbwi
week night : 1700 - 2230 bbwi
Jl. Kusuma Nation 112-114 Surabaya, 60136
Tep. 031-5322748 / 5344486
Facs. 0315450372
October 2nd, 2006
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